The subject of this documentary is an orphan asylum for infants. The beginning portion includes the dining facilities for the children. A woman dresses as a nurse leads approximately two hundred small children into the eating area where they stand behind their chairs. At a given signal, each child sits down and begins eating. The remainder of the film is devoted to showing some of the infants, less than a year old, being pushed in baby carriages and bathed, and later having haircuts. All of the children wear similar attire and the nurses wear uniforms. New York City.

Abandoned in the country by his old master, Charlie Dog tries to force himself upon farmer Porky Pig, playing upon his sympathies with a histrionic rendition of the horrors of big-city life.

Drama from Hong Kong directed by Ng Wui.

Inga is a single mother. She is raising her eight-year-old son Kostya and dreams of finding him a good father. Until a certain point, all her attempts end in failure, bringing only disappointment. But then one day, she meets cardiac surgeon Andrei and falls madly in love with him. After sending the boy to the countryside for a while, Inga prepares for the wedding. Meanwhile, Andrei not only cares for his bride, but also does everything he can to rightfully call her son his own. On the wedding day, he presents his beloved with an adoption certificate. The happy newlyweds drive to the village to pick up the baby from his aunt, but get into an accident. Inga dies on the spot, and Andrei is left alone with his grief. Now he must decide the fate of the child and become—or not become—his real father.

In early 1900s Surrey, fifty women labeled as typhoid carriers face unjust confinement at Long Grove Asylum. Isolated and stigmatized, they endure harsh conditions while fighting for their basic human rights against a cruel medical system. (Filming began in February 2025 and lasted 15 days before being halted indefinitely due to lack of funding; two months later, production company AITA Films Limited filed for bankruptcy.)

Takes place at a hospital for the criminally insane - a forgotten institution hiding a mystery more dangerous than any patient or doctor could imagine.

Inspired by the true stories of whistle-blowers claiming asylum, Asylum is a satirical comedy about a government whistle-blower and a millionaire internet entrepreneur trapped together in the London embassy of a fictional Latin American country. Dan Hern is a serious, self-important egotist who is accused of leaking important documents. After a year in the El Rican embassy Dan is bored, depressed and has no hope of getting out - his only chance is to push his case in an interview with the Guardian. The embassy staff are struggling to attract people to the annual embassy ball, as Dan is old news and nobody wants to come. The Ambassador's oily son decides to offer sanctuary to another international fugitive named Ludo Backslash: a larger-than-life, childish hacker and internet pirate, who set up a file-sharing website and became public enemy number one among the global entertainment community.

Fleeing persecution and torture in northern Iraq, three young Kurds, Mahmoud, Rezghar and Saman, smuggle themselves into Britain aboard a freight train. Arriving in London they register for asylum but soon experience the first blast of bureaucracy, as their papers are lost in the system. When Saman is detained in prison and the police attempt to arrest Rezghar, he flees and hides in a church where Father Michael is leading a service.

Carlos goes to visit his girlfriend Juana at the asylum where she works. Once there, the director introduces him to his niece, who is obsessed with playing the harp, and to a nurse who repeats word for word what Carlos says.

Robert Patrick stars as a private investigator traumatized by his father's suicide who goes undercover in a mental institution to uncover the murderer of his psychiatrist.